Sarah Rosso writes: Sea. What kind of emotions does the sea or ocean make you feel? Do you remember the first time you went in the water? Had a wave crash on you? Felt the sand burn your feet? Do you feel more peaceful around water? Do you hate the beach? What’s the most interesting thing about the sea for you?
In a new post specifically for this challenge, share a photo which means SEA to you!
I used to love the sea, making frequent trips to Virginia Beach or the Outer Banks as a teenager, slathering myself in baby oil, lying in the hot sun and listening to Seals & Crofts’ “Summer Days” on a boom box. I’d enjoy the salty smell of the sea and the lapping of the waves on the shore while getting lost in a good book, or I’d fall asleep in the hot sun, covered in a thin and sticky coat of sand. Whenever I got hot or bored, I’d wade through the surf and go for a swim, floating on the waves and letting the motion carry my body, which felt light and buoyant.
These days, I don’t enjoy the sea in the same way that I used to. I don’t really like to swim in it anymore, and neither do I enjoy lying in unrelenting sunlight with a sprinkle of sand sticking to my body as I were some Velcro strip. I prefer to either walk along the edge of the sea in the cool off-season, or I enjoy watching its shimmering and dancing surface from a high-up vantage point.
Here’s the way I best enjoy the sea these days. From Oia, Santorini, Greece in September 2012.
Sheri Bigelow of WordPress writes: Summer memories make everything feel magical to me — carefree and untroubled.
Even on the trips where everything went wrong, I look back and smile at the narrow escapes, or the long walks on a beach while I sorted out and righted the world.
Whether a good memory was made in years past, yesterday, or only moments ago, I love letting the nostalgia wrap me up — like a borrowed sweater on a cold summer night. Even more, I love making new memories: a carefree summer at the lake, a stroll through the park, dancing in the rain… then all I need to do is remember, and the same carefree feeling washes over me.
This young lady in Cascais, Portugal, looks pretty carefree.
Cheri Lucas of WordPress writes: This week, photographer Jeff Sinon talked about his process of finding the best shot. Before taking a picture, he studies his scene — looking at a shot horizontally (as a landscape) and vertically (as a portrait). With this honed, critical eye, he decides what orientation works best for his photograph.
For this challenge, capture two images — a horizontal and a vertical version — of the same scene or subject. There are no concrete “rules” here, but a) it should be evident that both shots are of the same place/location or person/thing, and b) your photographs should ideally have been taken during the same shoot.
Here are mine from Europe, from the beautiful town of Sintra in Portugal, one of my favorite places so far in the world! The first set is the Chapel at Quinta da Regaleira.
Click on any of the photos for a larger view and mini-slideshow.
Chapel at Quinta da Regaleira
Chapel at Quinta da Regaleira in Sintra
Here are two shots inside the Main House at Quinta da Regaleira. This is from the Hunting Room, where the theme of the “cycle of life” is evident throughout the room.
the Hunting Room
door in the Hunting Room in the Main House of Quinta da Regaleira
Finally, also in Sintra, is the Palace of Monserrate.
Writes Cheri Lucas: Masterpiece. No matter where you are (and where you’ve been), I’m certain you’ve stumbled upon something extraordinary: a place that blows your mind; a work of art or object that speaks to you; or even a location or scene that’s special, unusual, or even magical in some way.
One thing you can never really “stumble upon” is a ceiling. Often, you can miss the wonders of ceilings simply by forgetting to look up. During my travels this summer, I saw some beautiful ceilings in cathedrals and palaces, but in order to see them I had to remember to look up. 🙂
Ceilings are often artistic masterpieces that can be vastly under-appreciated or ignored completely. A viewer can’t even study ceilings for very long without getting a crick in the neck. And think of what the artist had to endure to create them. I can only imagine how uncomfortable it would be to design and create a beautiful ceiling by holding one’s arms overhead and one’s face looking up for extended periods of time. Unless an artist can lie on a platform on his back, I can’t imagine it could be very easy work.
Here are some masterpiece ceilings I found throughout Spain and Portugal this summer.
And this, my friends, is only a tiny glimpse of heaven. 🙂